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While many Quebec filmmakers looked to the French "cinma direct"movement and directors like Goddard and Truffaut for inspiration, entrepreneurs like Denis Héroux and Claude Fournier did not. Through simply being in the right place and the right time and possessing a profound ability to exploit their audience, Héroux and Fournier created a popular boom of sex films at a critical time in the history of Quebec cinema. The censorship of films in Quebec goes all the way back to 1912. Originally, the Catholic Church fought the imported Hollywood films which were being shown in the province. Since few French films were made in Quebec until the 1940s, they believed that watching Hollywood's populist melodramas would eventually cost them their unique culture. Although the situation had relaxed somewhat when Quebec filmmaking picked up in 1945-1953, directors still found themselves fighting Quebec's censorship bureau over scenes of violence, anti-religious sentiment and sexual content. Meanwhile, south of the 49th, censorship free porn in film was consistently being challenged and rethought. Although the appearance of naughty bits in film can be traced back almost to the beginning of the century, nudity did not become widely seen or accepted until the early 1960s. It was exploitation pioneers David Friedman and HG Lewis who began making what they called "nudie cuties," with such barely naughty titles as The Adventures of Lucky Pierre (1961), Nature's Playmates (1962) and Boin-n-g (1963). Russ Meyer is perhaps the best known director who became associated with this type of filmmaking, which featured nothing more than buxom young girls showing off for the camera, and a whole lot of sexual innuendo. Considered tame by today's standards, these films were big money makers through the sixties, coinciding nicely with the coming sexual revolution. However, in the exploitation game, you've got to get out with all your chips while you can. That time was in 1972, when the swingin' films of the sixties quickly died with the rise of hardcore sex films. Most film censorship died out in 1967, when Quebec's censorship bureau was replaced by more conventional film ratings system thanks in part to films like Larry Kent's High. Coincidentally, the Canadian Film Development Corporation was established the following year, a crown corporation which offered loans and financing to Canadian film productions. Stepping in at this critical point were directors Denis Héroux and Claude Fournier, who knew that when you added up free love and free government money, the result could be a successful mix of comedy, nationalism, and nudity. Héroux made Valérie, Quebec's first "nudie"film, in 1968. Valérie runs away from the Catholic orphanage to the bright lights of Montreal, and the film goes on to detail her exploits as a topless dancer and a high-class prostitute before she falls in love and settles down with a Montreal artist. Valérie was made for under $100,000, some of which was provided by the CFDC after Héroux had already started filming. A commercial smash, Valérie went on to huge box offices in both Quebec and France. Because Valérie returns to the Catholic role of the housewife after her indiscretions, this film is often seen as a simple morality tale. However, conservative endings were frequently seen in American exploitation films. Called "square ups," these tacked on endings allowed exhibitors to claim their films were cautionary tales, even though their sole purpose was to portray nudity and implied sex as luridly and commercially as possible. Seeing the box office potential of Quebec films such http://www.pornloves.org as Valérie, Montreal-based distributor Cinepix switched it's focus away from international films to become the main distributor of commercial films made in Quebec. Héroux himself continued to make several pictures in the genre he had pioneered including L'initiation (1969), L'Amour Humain (1970) and Sept Fois ... (Par Jour) (1971), which were all distributed by Cinepix. But, as popular as the black and white Valérie was, it was quickly eclipsed by the success of a similar, colour film Deux Femmes en Or (1970). What made Valérie so successful was undoubtedly Quebec's equating of the collapse of censorship and rise of sex in the cinema with their own freedom. After working at the NFB as both a script writer and director, Claude Fournier directly exploited this concept when he made Deux Femmes en Or for $218,000. It is estimated that this film was seen by 2 million Quebec residents, pulling in a staggering box office of $4 million. Deux Femmes en Or tells the tale of two bored suburban housewives yearning for freedom through sex, seducing a wide variety of handymen and delivery boys. In an odd turn, they are arrested for murder when the local pet shop owner dies during a liaison, but to their delight, the judge decides to let them off. This film, which steps up the nationalism of Valérie by making jokes at the expense of English-Canada, features nude appearances by several local Quebec stars, and even a cameo by Pierre Trudeau at a decidedly Canadian Roughriders vs. Rough Riders football game. Canadian genre films often subvert American conventions, and Deux Femmes en Or is no exception. It has been suggested that the liberal (and liberating) ending of this film is actually parody of Valérie's "square up." Picking up on this cinematic trend, industry rag Variety started referring to these films as "maple syrup porn."However, an article by Andre Loiselle titled "Subtly Subversive or Simply Stupid: Notes on Popular Quebec Cinema" reveals that in Quebec these films had much more colourful names, including "films de fesses"(butt movies), "films de cul"(ass movies) or "films cochons"(pig movies). As with many of the horror and drive-in films coming out of English-Canada, there was a serious backlash against the "films cochons."Straight-laced Canadians were outraged at the thought that the government was funding porn, and demanded the CFDC be more discerning in their choices of film. It turns out that no one needed to worry, because only four years after the "films cochons" began, they were all but obliterated by the success of a low-budget hardcore sex film that took the New York theatres by storm-- Deep Throat. Despite what some saw as the morally objectionable content of Valérie, Deux Femmes en Or and the films that succeeded them, these films play an essential part in the history of Canadian film. Héroux and Fournier managed to draw millions of Francophones in to theatres to watch home-grown entertainment. Not only has this never been achieved in English Canada, but it set the stage for Quebec's popular film successes which continue to this day. Singlehandedly, these pig movies built the commercial backbone of contemporary Quebec popular cinema.

Zack Snyder’s idiotic sword and sandal trifle 300 is notable on three accounts. The first are the relatively cool computer generated images (CGI) that make the movie look like a cross between the Frank Miller graphic novel, on which it is based, and a video game. Unfortunately, the CGI is fun for about 20 minutes before it begins to look like a TV commercial for, well, video games. The second vaguely interesting aspect of 300 is that it sparked a small, but spirited debate about its political intentions. Some commentators argued that the film—that details with graphic violence the famous battle in which 300 Spartans held off the enormous Persian armies of Xerxes at the Battle of Thermopylae in 480 BCE (Before Current Era)—was an attack on the Bush administrations’s Iraq war since it portrayed the overt foolishness of fighting a losing war. Others argued that it was a paean to Bush’s policy since the Spartan army is shown to be the apotheosis of bravery, honor, and maleness. Both are actually beside the point—300 is a shallow manifestation of pop culture that is essentially uninterested in current events. I suspect its stoner sensibility can’t really be bothered, which is not to say that it isn’t political. At heart, 300’s adulation and promotion of statist authority and endorsement of hegemonic violence makes it, rather authentically, a fine example of fascist filmmaking. Leni Riefenstahl would have loved this film, if only because Zack Snyder rather consciously imitates all of the cinematic tricks used in her Nazi propaganda epics, Triumph of the Will and Olympia. Thirdly, many reviews in the mainstream press have been saying that 300 looks like a gay porn movie (have they ever seen a gay porn movie?) or that it has a gay sensibility. Yet, some gay critics and magazines have been calling the film homophobic. Is it gay? Gay hating? Queer ambient? Metro- sexual? The Greeks may have had a word for it, but no one can decide what it is. There really isn’t much to say about 300’s fascist politics— they are obvious and not very viscerally exciting—but the context of homoeroticism, and homo-hysteria, that pervades them is mildly interesting. Sure, the film lavishes attention on lots of men who constantly flex and preen. But if it is a gay male sensibility, it is 50 years old. Images of well-built men preening are so ubiquitous now— they are the staple of reality TV shows and the covers of US and People—that they hardly qualify as “gay male sensibility.” They may be the end-result of the triumph of a gay male sensibility in popular culture, but that is quite different. On the other hand, many commentators, on gay blogs as well as the Internet Movie Database have accused 300 of being homophobic. It’s easy to see, and even agree with, the gist of their arguments, since Snyder has pitched his film on the visual images of the strong, manly, sexy Spartans fighting what seems to be an army of oriental- ized freakish looking Persians. It can’t be an accident that Xerxes (Rodrigo Santoro) is portrayed as a mutant Ru Paul-esque queen with full makeup, piercings, and jewelry. Indeed, the manly demeanor of the Spartan 300 exists, to a large degree, by the “girly” appearance of their Persian foes. 300 articulates not so much an overtly homophobic attitude, as a rampant desire to separate Spartan men from their Persian counterparts. This might all be interesting in a postmodern sort of way, if 300 had any creative impulse pushing it forward. But, alas, as Gore Vidal said about the New York premiere of the San Francisco drag troupe The Cockettes, “not having any talent isn’t enough.” The screenplay of 300 is dismal. As penned by Snyder and Kurt Johnstad it is a ramshackle copy of any junky 1960s sword and sandal mini-epic—Hercules (1958), The Giant of Marathon (1959), Revolt of the Slaves (1960), Queen of the Amazons (1960), The Colossus of Rhodes (1961), The Rebel Gladiators (1963), etc.—without much of the intentional wit. (Although to be fair, some of these films were made by great directors: Jacques Tourner directed The Giant of Marathon and Sergio Leone directed The Colossus of Rhodes before his career-making spaghetti westerns.) The dialogue in 300 is wooden and feels as computer generated as the imagery. http://www.indianpornxxx.net They might as well have called it Pulp Diction. Whatever talent these performers have, all of them—Gerard Butler as the brave King Leonidas, Lena Headey as his wife Queen Gorgo, Dominic West as the traitorous Theron (who looks distractingly like the caveman in the Geiko insurance commercial), David Wenham as Dilios —are lost in a bad script and overwhelmed by flashy images. 300 is obviously cognizant of its debt to indian porn the film world of the late 1950s and early 1960s, but it is also perfectly happy to negate the essential meaning and politics of those films. It is obvious that the draw of these movies is the bare-chested guys in scanty peplums (the short skirt these film heros wore, giving it’s name to the genre) flexing their muscles and furrowing their brows as they think of their next line. It is no surprise that many of the past peplum-wearing performers— such as Steve Reeves, Gordon Scott, Ed Fury, Kirk Morris, Reg Park, Mickey Hargitay, Mark Forest, Alan Steel, Dan Vadis, Brad Harris, Reg Park, Peter Lupus, Rock Stevens, and Michael Lane— were often professional body builders. In the 1950s and the early 1960s body building for men—what was called physical culture, now called gym culture—was essentially a large- scale cultural project, articulated and unarticulated, for reinventing the male body after WWII. Interestingly, as the male body was being redefined as both strong, sexy, and vulnerable, the gay rights movement was taking root and gay male culture—especially muscle magazines like Physique Pictorial —were not only gaining in popularity, but also influencing mainstream culture. Indeed, many of the performers in the peplum films had their origins in the gay muscle magazines.

If you are reading this you have probably unwittingly been directed to an internet pornography site. Almost everyone has. Because the demand is so great pornography, on the internet and in general, is so omnipresent you can scarcely avoid it if that is your aim. Internet pornography statistics may seem to be as incomprehensible as the amount of pornography itself, but certain research and news organizations have taken the time to do the math when it comes to the facts about pornography consumption. The statistics are truly staggering. porn movie/a> According to compiled numbers from respected news and research organizations, every second $3,075.64 is being spent on pornography. Every second 28,258 internet users are viewing pornography. In that same second 372 internet users are typing adult search terms into search engines. Every 39 minutes a new pornographic video is being created in the U.S. It’s big business. The pornography industry has larger revenues than Microsoft, Google, Amazon, eBay, Yahoo, Apple and Netflix combined. 2006 Worldwide Pornography Revenues ballooned to $97.06 billion. 2006 & 2005 U.S. Pornography Industry Revenue Statistics, 2006 Top Adult Search Requests, 2006 Search Engine Request Trends are some of the other statistics revealed here. The following top 10 list has been compiled http://www.pornmovietube.net using credible sources and appear here in no certain order. Anyone interested in Internet Filter Software and Internet Security Suites Software will find plentiful information about creating and maintaining a safe and secure internet experience at home and work.

How Internet Pornographers Market to Men vs. Women Mark Kastleman In past months' articles, we've looked at the dramatic porn movies watch contrasts in the structure of the male and female brains and how each views sexuality differently. Last month we discussed how Internet pornographers use the power of the Funnel of Sexual Arousal to entrap and addict. In this article, we will look at how Internet pornographers use specific tactics to attract and ensnare the male market; capitalizing on the unique aspects of the male brain structure. How Internet Pornographers Target the Male Brain Internet pornographers are some of the most cunning, degenerate marketers and salespeople in the entire world-physical or virtual. They know their craft and have devised laser-focus techniques to capture each of those markets. Based on the structure of the male brain, how do Internet pornographers market to men and teenage boys? Let's review the typical attributes of the potential male Internet porn consumer in the cold, hard terminology the pornographers use. How do they seduce their customers? Vision is the key perceptual sense in males-they "like to look." They respond with far more vigor and speed to visual stimuli than females typically do. Males descend down the funnel of arousal lightning fast and block out all thoughts and attached emotions of wife, romance, tenderness, and love. Their total focus is on the physical act of sex. They yearn to see body parts and things being done to those body parts. Males are attracted to anonymous, nude females for casual, impersonal sex. They are usually not interested in relationships, romance, foreplay, or anything connected with these. Instead they want to get right down to business-the explicit physical sex act. Males have up to 20 times more testosterone than females coursing through their mindbody. Testosterone fuels sexual drive and aggression. As a result, it's a turn-on for most viewers to see males dominate, be aggressive or even violent in sex with females. The male brain can focus narrowly for long periods of time on body parts and the physical sex act. Therefore a variety of changing material and an increase in stimulation are required or they become bored. The pornographer must lure them into the site, keep them there, then bring them back for more the next time. The end goal for males in viewing Internet porn is masturbation and orgasm. The pornographer must be sure that their male viewers complete this process to assure addiction and the powerful imprinting of the images in the cells of the male mindbody. With all of this in mind, how do Internet pornographers provide content that taps into the male brain at the highest level http://www.pornmovieswatch.net possible? Consider their techniques: Visual Stimulation at the Highest Possible Level Knowing that the typical male viewer's primary perception is vision, pornographers have crammed the Internet with every visual stimulus that exists - photographs, videos, live-camera, cartoons, virtual reality, etc. These appear as "banner ads" even before the male viewer ever enters the porn site. Like "billboards," banner ads display graphic porn and words of every kind designed to visually lure in male viewers. Such banner ads are attached to standard search engine home pages for men, women and children of all ages to see. Once inside the porn site, the viewer is splattered with a visual overload. Thousands of explicit photos, hundreds of hours of explicit videos and 24-hour live cameras, all instantly available at the click of the mouse-button. An unending stream of visual stimuli as fast and constantly changing as the male viewer desires-a critical element because without a constantly changing visual display, the male brain quickly grows bored. Truly, pornographers are masters at tapping into the male desire "to look" at the highest level possible. Male Viewers Want to See Body Parts Pornographers know full well the male brain's predisposition to narrowly focus on parts rather than the whole-to objectify and compartmentalize everything. Internet porn geared to the male audience is a continuous wave of one specific male body part doing everything imaginable to every conceivable female body part, from head to toe. Much of this material involves extreme close-ups of one particular body part at a time. This is always completely devoid of any emotion, romance or tenderness. Rather, it is designed to be sexually intense but without commitment/emotion-the perfect visual male stimulus. The Male Viewer Wants the Perfect Female Sex Partner Most Internet porn geared to the male market shows the "man in control." The female is "servicing" the male, subservient to whatever he wants done to him or to whatever he wants to do to her. And she is nearly always shown as completely lusting after him and enjoying every moment of their sexual activities, even though in real life many of these activities would be painful and/or distasteful to most wives. This "male-in-control/female-wanting-and-enjoying-it" combination, in effect creates a female that is responding sexually the way a male would, which in turn supplies the male viewer with his "perfect sex partner" fantasy. He in total control; having done to him, or doing, exactly what turns him on most. This is male sexual fantasy at the highest level of stimulation. Dominance, Aggression, and Violence in Male-Centered Porn As discussed previously, the more cellular memories (biological and physiological processes) that pornographers can link their porn to throughout the male brain and body, the greater chance they have of addicting their viewers. And the more naturally occurring drugs/hormones (especially testosterone, but also adrenaline, epinephrine, and others) flowing in the male mindbody during viewing, the more narrow will be his focus, the more intense his sexual/mindbody arousal, the more deeply the images will be imprinted in his memory, and the greater his addiction. Pornographers achieve this combination of a high number of mindbody links and maximum drug/hormone release by mixing sexual images with male dominance, aggression and violent images intended to shock and stimulate simultaneously. Porn scenes ranging from simple "male in control" to aggression, rape, torture and murder, abound in Internet porn geared to the male viewer. These kinds of images link sexual arousal in the male mindbody with emotions of shock, anger, confusion, violence and domination which cause the male mindbody to release enormous amounts of additional testosterone, which further increase male narrowing, loss of reason, feelings of aggression, and sexual drive and arousal. High amounts of adrenaline and other chemicals are released as the male mindbody switches into "fight or flight" mode. Why does this happen? Because the mindbody is experiencing so much stimulus and physiological activity at once, that it cannot adapt to it fast enough. In other words, the male mindbody goes into stress. Internet porn of this ilk creates a chain reaction in the male mindbody with hundreds of hormonal, chemical, emotional, physiological and biological processes all converging at once! The male viewer is not only addicted to simple sexual arousal, but this arousal is linked to mindbody processes that would never be normally linked to the sexual process. Talk about addiction at a whole new level! This would be like a drug addict shooting up with a dozen different hard-core drugs all at once. The Male Viewer Craves Variety The mindbody is always seeking stimulation, a peak experience of some kind. Once a certain level of peak experience has been reached, the mindbody will naturally seek to then achieve a higher peak experience in that same frame of reference. Pornographers know that if they show the same images again and again, the male viewer will become bored and seek greater stimulation elsewhere. Thus, Internet pornography geared to the male audience is an ever-changing array of images, people, objects and scenarios providing links to associated websites containing increasingly depraved material. A viewer could literally stay on the Internet many hours each day and never see the same image twice! Internet pornographers also know that as time goes by male porn addicts seek increasingly greater stimulation. Internet pornographers oblige by offering everything from the partially nude pin-up girl to the hardest, most perverse images. With Internet porn, nothing is considered out of bounds or taboo. It is all there at the push of a button from anywhere in the world. As the male viewer's addiction appetite continues to heighten, the Internet pornographers are there with instant gratification, like drug lords waiting with the next "harder kicking" strain of crack cocaine. Pornographers also know that not all males are "turned on" by the same images, so they strive to appeal to as many viewers as possible. They offer the male audience anything and everything including children, animals, objects, fetishes and settings-literally hundreds of thousands of different kinds of porn. What the male porn viewer's mind can conceive (and not possibly imagine), the Internet pornographers can achieve. Make Sure That It All Ends in Masturbation and Orgasm Internet pornographers want to make certain that virtually every male viewer ends his pornography session with masturbation and orgasm. Why? Think about it: Orgasm is one of the most (many say the most) powerful peak experience the mindbody can experience. Any activity that gets linked in the mindbody to orgasm, will be adopted and become a habit of the most powerful and permanent kind. If you want to addict the male viewer to Internet porn at its highest level, then make it part of the habitual process leading to orgasm! Orgasm releases chemicals into the mindbody that permanently imprint whatever process was used to arrive at that end. If Internet porn was that process, guess where the male viewer returns again and again every time he desires sexual release? The be-all and end-all culminating event of sexual activity for virtually all males is orgasm. The Internet pornographer's aim is to lead every male viewer to this end, thus reinforcing this already-present end goal. So what's the problem? Many male viewers begin to substitute the porn process leading to orgasm for normal, healthy human intimacy. Internet porn can greatly disturb, interfere with, or literally replace healthy sexual intimacy. Pornographers seek to make the porn process the dominant sexual activity in the male viewer's life. The male Internet porn viewer can achieve orgasm quickly and effortlessly, any time of the day or night, and anywhere there is a computer. No need to waste time with affection, romance, foreplay; no worrying about creating the right atmosphere, whether it's a good time for a liaison, if she's "in the mood" or not, all the other annoyances and delays, or even if his partner is present or not. The females of Internet porn are always there, always ready, always eager for more. Literally hundreds of thousands of willing females whose sole purpose is to give the male viewer anything and everything he could possibly want or imagine. He doesn't have to take out the trash, do the dishes, or be polite for them to be sexually available. They just want him, on his terms, period. Making Men Stupid! Increasing numbers of professionals in our public education system are paying closer attention to the different "learning styles" of children. Slowly they are coming to the realization that, in many cases, male and female students learn differently. After our review of principal differences between the male and female brain, you can probably deduce what some of these learning styles might be. Educators are now adjusting teaching techniques and tools to more closely match the brain structure and learning style of their students, efforts that are paying dividends in the form of increasing the powers of intellect and reasoning in thousands of students across the country. But with Internet pornography geared to the "base animal instinct" of the human male brain, men and boys strung out on Internet porn are not becoming smarter. Rather, the more time they spend with Internet porn, the more stupid they become. As one 12-year old young man told me, "Pornography makes you stupid." Key Points Pornographers specifically target the male mindbody in the design and marketing of their materials. If they can't lure the male viewer in through one method, they have a dozen others uniquely geared to his physiology. Men and teens must be very careful not to be lulled into the complacency trap that says, "That stuff doesn't attract me at all-I can handle it with no problem." There are literally thousands of different varieties of porn on the Internet from all over the world. If such an individual engages in viewing Internet porn long enough, eventually he will encounter something that does push his button, triggers arousal, and has a high potential for addiction. Mark B. Kastleman is the author of the revolutionary new book titled The Drug of the New Millenniumóthe Science of How Internet Pornography Radically Alters the Human Brain and BodyóA Guide for Parents, Spouses, Clergy and Counselors. Many leading scientists, psychologists, therapists and religious leaders consider this book to be one of the most important works ever written on this subject, and a must-read for parents, spouses, clergy and counselors.